<i> am still <here>, prospectless, but <alive> and <<day>dreaming> of <Frankensteinian <creatures>> and <androids>
and what things might look like if everything wasn’t always so hard.
Poetry, Scholarship, & Musings
<i> am still <here>, prospectless, but <alive> and <<day>dreaming> of <Frankensteinian <creatures>> and <androids>
and what things might look like if everything wasn’t always so hard.
<i> am taking some <pto> and tryng to stay off <screens>. But <i> <wanted> to <inform / remind> folks that today is Mary Wollsontecraft Shelley’s birthday. (note, <i> always <try> to include the dual last names out of <respect/ reverence> for her <lineage>.)
<i> did a <reading / ritual> for her <using> one of <my> <favorite / beloveded> decks (Tarotbot black) as her <work / writing> <trailblazed> <unhuman> <narratives>, <creating> <space> for the <science fiction> <we> are familiar with today.

it <felt> <appropriate>, the victorians <loved> the occult and there is an <interesting> <correlation/ inclusion> of <spirituality> in <science fiction> that <feels> partly like the <offspring> of the <emergence> of the <genre> and the victorian <fascination> with the occult.
Tonight, in veneration, <my partner> and <i> will <brew> some chai and start Alien:Earth. RIP Mary, you would have loved androids.
<I> didn’t put that <word> <under erasure> because <i> <know> that’s how <i> <feel>. <i> have been <informed> that <i> can keep <working> until november, but there’s no <budget> for <my> role after that. <funny> (not haha) how even at a small <non-profit> the c-suites can travel to rome on the org’s <dime> for a <conference> and <earn> 100k more than their <employees>, but <we> have to be <cut>.
the capitalist structures <we> <live under> do not help the disposability <i> frequently <feel>. the <hopes> that when <i> <leave>, someone will stay <in touch> are <always> <killed off> by lack of texts back and <deferred> plans to meet up. <i> am somehow always <filling>; impossible to miss when <i> am there, but <my> <absence> doesn’t seem to <matter>.
<i> <wrote> a line in an almost <love> <poem> once. it goes: “i don’t want to be seen; / i need to be felt”. it <speaks> to <my> disposability, the way <i> get <told> <i> do <good work> and that <my> <contributions> are <greatly appreciated>; when <i> am <physically> <visible> and <helping> there is <appreciation>. But <i> don’t <think / believe> <i> am <felt> in most spaces. at least not in a manner that <creates> a <void> sensation when <i> am <gone / absent>.
is <this> a <failure> of <me> or <others>?
it is so <easy> to <fall / trip> into <complacency> or out of <good> habits when <i> am <stressed / anxious / angry>. <i> am <proud? of <myself> that this <time> <i> didn’t <fall off> of <my> cleaning and meal prep habits; cannot <afford> to <buying> lunch when <money> might be <tight> <soon> and <clean> spaces are something within <my> <control>. But <writing> is <harder> habit for <me> to <keep up> with when <struggling>.
but <here> (<i> <think>) <i> <am>. <reviewing> proofs, <writing> handouts, and scheduling trainings and trainers, <pretending> that <we> all <might not> be continuing <our> work come September.
<i> asked <my> favorite tarot deck (The Cyber Deck: tarot for the future; a deck <i> <found> at a thrift store in a cassette tape case) for <general> <advice> and <pulled> manacles (<suggesting> unfair actions and time to break old habits and start new things to avoid <feeling> trapped), peacemaker (which, <interestingly>, reads as destruction of all that matters and broken dreams–though perhaps overstated), and the hanged man in reverse (<he> speaks of sacrifice, the influence of society, and a need for purpose and inward searching when viewed as though <he> were upright).
<foreboding>, surely. but there is also <comfort> in being <reassured> that <living> is <hard> and the <uncaring> <we> have <allowed> to be <in charge> are making things worse. (<i> am certain about that worse, it is not <under erasure>.)
<purpose> and <lives> will have to <shift> for <survival>. And it will be <hard>. and while <watching> Andor last night, <i> was <reminded> that those who do <care> and <hold> some power will also have to make <hard> choices. Rebellion against empire is not without sacrifice.
Depends on what is <meant / intended> by “like that.” as a visual <poet> and zine <creator>, <i> <wanted / desired> a visual way to convey <uncertainty / impreciseness> in <my> <writing>. the <written> word is a beautifully imperfect way of <communicating> that <asks / requires> the <writer> to constantly be making language choices. and these choices are frequently never <perfect>. <communication can never be perfect>.
<i> was <inspired> by a few different <philosophers / artists> to use angle brackets to <visualize / convey> uncertainty. like a good little grad school <student>, <i> read <theory>, lots and lots of <theory>. and <i> had a <<post> structuralist / deconstructionist> phase, which included plenty of Derrida and a desire for the <pursuit> of <creative> <writing> that could <visualize / verbalize> “sous rature” in <interesting / narratively productive> ways. Derrida (and yes, Heidegger is the <primary> source for this, but <i> have yet to locate a <desire> to <read> Heidegger) would <visualize> this in his own <writing> for <signifiers / words> that he <felt / believed> were “inadequate yet necessary” by <striking through / placing under erasure> the <inadequately necessary> words. <i> have <chosen / selected> the angle bracket for <my> own form of marking <erasure>. it is not a <form> of <writing> <i> always <employ / use>; <obviously> <i> don’t write like this in day-to-day correspondence and in the materials <i> create for work, and <poetry> that <i> want to send out for publication takes on a more <normal> structure. but blog posts and zines are a <adequate / appropriate> medium for <writing> in this experiential style.
it’s also a way <i> used to express <my> own self uncertainty. <i> even wrote a zine about placing <myself> <under erasure>.
but what about the forward slash in-between the bracketed words sometimes? <my> utilization of this was <inspired / provoked> by the translation of the board in control. in control the board is the <inter / intra> dimensional entity that the director of the federal bureau of control <answers to / get help from>. this / these entities are <incomprehensible> visually and auditorily. when they are speaking to Jessie in the game, their <garble> is translated in subtitles. But much in the way that derrida <writes> about words <containing / encompassing> both the <curse> and the <cure>, many of the phrases and words that are <translated> from the board <translate> into uncertainty which is <visualized / verbalized> in the subtitles by <displaying / offering> the <duplicating> meanings with forward slashes between them. and everything the board says is under <erasure> by already being an <interpretation> as all <translation> is, and this is <written / visualize> via the use of angle brackets. <i> don’t use it in <exactly> the same way, but <i> enjoy the <visualization> and slightly more <precision> of <visually> displaying the <words> <i> was deciding amongst, <folding / including> the multitude of <meaning> hiding in all <language>.
there is also the additional <bonus> of <odd / funky> formatting <disrupting / disturbing> the scraping of <ai / algorithmic <<re>production>>.
<working> on this <draft> to figure out if it is more than just <me> processing <my feelings> about dropping out of grad school and not sending poetry out to journals for <almost> a decade now. <i> always <wrote> the most when <i> was <unhappy / depressed>.
now.
happy-loved-wasted potential.
the lines never stuttered when i was
living on hot sauced drenched curly fries
and extra-large, extra-sweet coffees,
white knuckled and split lipped,
trauma and guts spilling out to strangers in writing workshops
winning scholarships, publishing poems.
now.
happy-loved-wasted potential.
when was the last time you created?
I don't know how to write joy.
perhaps because it fled upon crossing home's threshold.
or is it the other way around
and i failed to narrate it into existence,
neglecting the little sparks that collectively
build warmth even in the cold and filth.
now.
happy-loved-wasted potential.
what comes to you in your space of comfort?
In our culture, it can be easy to intellectualize our emotions, processing them in our mind, rather than feeling them with our bodies. What is a word or phrase you can say to yourself as a reminder to feel your emotions fully?
this <question> appeared in one of the weekly newsletter the organization <i> <work / labor> for sends out. it’s <sitting / landing> with <me> a bit awkwardly. <i> <know> that <I> am really good at intellectualizing <my feelings> after the fact, but <i> needed to do some <reflecting> to think through <if / how> <i> <embody feelings> in the moment.
as an <autistic being> who used to <over-embody> emotions as a child — <i> would cry for every single emotion — it took a lot of learning <regulation skills> to stop the instant <embodiment> of tears. there was a lot of <practice> in holding back until <i> was in a <comfortable / safe> place to let them out. now <i> <worry / fear> that <i> overcompensated. <i> can <feel / sense> the emotion <clinging> to <me> internally; and <they> are large and block <my> ability to <verbally communicate> until the intensity of them has <died> down.
that said, <i> do find that <words> also fail in helping <me> <embody my emotions> enough to reach a place of <productive> communication. in order to <embody> <I> need to connect to <my body> via movement. deep breaths are the first step in <regulation>, followed by a movement that is based on what <emotion> is being worked through. <anxiety / uncertainty> can be eased through with rocking — standing or sitting — and fidgeting with <things>. <sadness / anger> usually work through my body faster if <i> do harder physical movement — <nothing> felt quite as nice as roller derby practice for working through the oscillating <anger / sadness> of <pms>. and for <happiness / joy> bouncing is <my> <unmasked embodiment>.
if <i> had to use a <verbal> reminder to work through <my> <embodiment>, something like <move / un-still> might work. <i> will have to give it a <try>.